- #Captureperfect 3.1 image width wider than the paper movie
- #Captureperfect 3.1 image width wider than the paper tv
You will find that the overall quality of the video presentation is improved by placing a black frame around it.Įlectonic masking is the ideal solution, and if cost were no issue we'd always recommend it. They are used to create a solid black frame around the image no matter what aspect ratio the film is. This is simply an option you order with your screen that features black fabric panels that can be opened or closed along the top and bottom edge of the screen to change the exposed area of the screen's surface. Nevertheless, if you are a perfectionist and money is no object, you may want to consider electric masking to close the frame horizontally when "wider than 16:9" movies are displayed. The good news is that with these screen materials and the higher contrast projectors that are available these days, the presence of black bars is much less of a visible distraction than it used to be. High contrast gray screens will make them darker. Standard white screens will usually make the bars a bit more visible. How visible the bars are depends on the black level the projector is capable of, and what type of screen material you are using. The bars are not as large as they would be on a 4:3 screen, but they are there nevertheless. When you display these movies on a 16:9 screen you will have black bars at the top and bottom of the screen, each bar amounting to about 12% of the picture height. For example, Seabiscuit, The Lord of the Rings, Dances with Wolves, Tombstone, The Fifth Element, U-571, American Beauty, and Star Wars/Phantom Menace (to name a few) are all 2.35:1, not 1.78:1. Keep in mind that when it comes to DVD movies there is a formatting issue to consider. The new HDTV programming is all in 16:9, so the image fits the 16:9 screen perfectly, and all is well. A 16:9 projector on a 16:9 screen is clearly the best combination for optimizing HDTV viewing. If HDTV programming is your primary viewing material your decision is simple. So let's take a look at the advantages of each.
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One is not inherently better than the others-they are just different. Each of these formats has some advantages, and each has limitations for which you must compromise. But you might want to go with 4:3 or 2.35:1.
#Captureperfect 3.1 image width wider than the paper movie
Most people are opting for a 16:9 screen since it is a good compromise that fits a lot of movie formats without too much letterboxing or pillar boxing, not to mention it fits all HDTV programming perfectly. Since there is no perfect solution, what is the right way to set up your system? So not matter what screen type you get, whether 4:3 or 16:9 or 2.35, it will NOT fit all the video material you will want to watch in its native frame. Movies, music videos, and other content on DVD comes in a variety of formats including 1.33, 1.78, 1.85, 2.00, 2.35, 2.4, 2.5, and so on. However, these are not the only two formats that video material comes in. On the other hand, programs made for HDTV are in 16:9 format, which is 1.78 (16 divided by 9 = 1.78).
#Captureperfect 3.1 image width wider than the paper tv
TV programs and videos intended for regular TV are done in 4:3 format, often denoted "1.33" since 4 divided by 3 = 1.33.
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On the other hand, movies and video come in many different aspect ratio formats. Here's the problem: any given TV or projector comes in its own native format-typically either 4:3 or 16:9. So HDTV's 16:9 is a rectangle that is, relatively speaking, horizontally wider than older TVs, which by comparison look almost square. Meanwhile, the new HDTV standard is 16:9, which is 16 units of width for every 9 units of height. That means the picture is 4 units wide for every three units of height.
![captureperfect 3.1 image width wider than the paper captureperfect 3.1 image width wider than the paper](https://usermanual.wiki/Document/CP31OG.1631960931/asset-49.png)
The standard TV that's been around since the mid-50s has an aspect ratio of 4:3. If you are new to the concept, when we talk about 16:9 or 4:3 or 2.35:1 formats, we're talking about the rectangular shape of the video image, or what is called its aspect ratio. The purpose of this article is to describe your options and help you decide which way to go. Which of these formats is best for you? It all depends on the trade-offs you want to make, and how you want to manage your home theater experience. You've got two good alternatives worth considering-going with a very large screen 4:3, or a super widescreen 2.35:1. But just because 16:9 has become the de facto standard, it doesn't mean it is right for you. Almost all of the latest plasma and LCD flatscreen TVs are in the 16:9 format, and most video projectors intended for home theater are as well.
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For most people, that is absolutely right. These days conventional wisdom says that a new home theater should have a 16:9 projector and a 16:9 screen. NOTICE: THIS ARTICLE HAS BEEN REWRITTEN AND UPDATED.